SELECTED REVIEWS AND TEXTS:
Art Monthly, review of Seventeen at Centrala Birmingham.
This is Tomorrow, review of Seventeen at Centrala Birmingham.
Apollo International Art Magazine, “First Look: ‘The Decorator and the Thief (...)’” at the NGCA, Sunderland.
This is Tomorrow, review of ‘The Decorator and the Thief (...)’ at the NGCA, Sunderland.
East Side Projects, review of ‘Display Show’ at Temple Bar Gallery, Dublin.
Tique Art Paper, review of ‘Display Show’ at Stroom, Den Haag.
Apollo International Art Magazine, review of ‘Drying Time’ at Paradise Row, London.
The Compass, review of ‘Drying Time’ at Paradise Row, London.
Time Out, review of ‘Gaiety is the Most Outstanding Feature of the Soviet Union’, at the Saatchi Gallery.
Russian Art+Culture, review of ‘Gaiety is the Most Outstanding Feature of Soviet Union’, at the Saatchi Gallery.
A-N Reviews, ‘About Face: Yelena Popova & George Hardy’, at the Harley Gallery, Wellbeck.
WeAreOCA, ‘Popping over with work: Popova on show’, review of exhibition at the NN Gallery, Northampton.
This is Tomorrow, review of ‘Yelena Popova: The Portrait Gallery’, Cole Gallery, London.
Left Lion, review of Yelena Popova exhibition at Syson Gallery, Nottingham.
The Serendipity Project, Interview with Yelena Popova, by Wayne Burrows.
Evening Standard, review of ‘A Joyful Archipelago’, exhibition at Sunbury House, London.
The Guardian, ‘London's top five art exhibitions to visit’, a review of ‘Zabludowicz Collection Invites: Yelena Popova’, at Chalk Farm, London.
Art Rabbit, review of Yelena Popova at Eastside Projects, Birmingham.
The Independent, ‘Britart's new wave: Who are the successors to Hirst and Emin?’.
Creative Nottingham review, ‘Special Event Feature: Yelena Popova at the RCA’, the Royal College of Art, London.
Nottingham Post, review of Yelena Popova – Unnamed, Lakeside Arts Centre, Nottingham.
Left Lion, ‘BIG FOR 2010’ Contemporary Art